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Ralph Dollimore, Roy East, Johnny Scott, Bob Burns, Roy Castle



Pianist Ralph Dollimore was born in 1930 and died in 1988. His jazz career was in the early 1950s. While still in the Army he wrote to Kenny Graham pleading to join Kenny's band. At one of the gigs he button-holed Kenny, announced who he was, and as luck would have it, pianist Honeybourne was about to leave so he joined the Afro-Cubists in 1951 and for later recordings. When the Afro-Cubists broke up he was with the Terry Brown Sextet in 1952 and Jimmy Walker in 1952. He also led his own trio for a while. From 1952 to 1953 he was with the Ted Heath band. He did extensive radio and TV work and in 1970/80 led a trio in Monte Carlo before returning to the UK.

Kenny Graham's Afro-Cubists - June 4th, 1951 (Esquire)
Jo Hunter (tp), Kenny Graham (ts), Ralph Dollimore (p), Roy Plummer (g), Cliff Ball (b), Dickie Devere (d) + maracas and conga
Chloe*/Over The Rainbow*/Skylon*/Dome Of Discovery*.
(*Charly/Esquire 4 CD box set - bebop IN BRITAIN - issued in 1991 currently only available second hand...)

Melody Maker's New Stars - May 8th, 1952 (Esquire 10-234/237)
Ken Wray (tb), Vic Ash (cl), Geoff Taylor (as), Jimmy Walker (ts), Ralph Dollimore (p), Cliff Ball (b), Don Lawson (d).
Searchlight/The Fifth Man*/Mike's Choice*/St. Maurice.
(*Hallmark CD - Basement Bop - British jazz in the 1950s)

Jimmy Walker Quintet - July 11th, 1952 (Lyragon J706)
Jimmy Walker (sop), Roy Herbert (acc), Ralph Dollimore (p), Arthur Watts (b), Allan Ganley (d).
A Fine Romance/Hallelujah.

Kenny Graham's Afro-Cubists - October 8th, 1952 (Esquire)
Terry Brown (tp), Kenny Graham (ts), Ralph Dollimore (p), Bruce Swain (b), Dicky Devere (d) + maracas, conga and bongo.
Boom/Barbados/All The King's Horses/Peanut Vendor.

Kenny Graham's Afro-Cubists - February 5th, 1953 (Esquire)
Jo Hunter (tp), Kenny Graham , Derek Humble, Joe Temperley, Bertie King (ts), Oscar Birch (bs), Ralph Dollimore (p), Sammy Stokes (b), Phil Seamen (d) + conga.
I'll Remember April/Jump For Joe (two takes)/A Night In Tunisia (two takes)/Take The 'A' Train (three takes).

Kenny Graham's Afro-Cubists - April 29th, 1953 (Esquire 20-012, Esquire EP63*) (JMC2)
Jo Hunter (tp), Kenny Graham, Norman Fantham, Eddie Mordue, Wally Moffatt (ts), Oscar Birch (bs), Ralph Dollimore (p), Joe Muddel (b), Phil Seamen (d) + maracas and conga.
Afro-Kadabra (parts 1 and 2)*/Flamingo/Keni B'sindika.

Music In the Making - January 27th, 1954 (Vogue LDE051)
Jo Hunter, Jimmy Deuchar (tp), Keith Christie (tb), Jimmy Skidmore, Don Rendell (ts), Ralph Dollimore (p), Johnny Hawksworth (b), Allan Ganley (d).
Ice Fall*
Jimmy Deuchar (tp), Don Rendell (ts), Ralph Dollimore (p), Sammy Stokes (b), Phil Seamen (d).
Mountain Sunset*
Jimmy Deuchar (tp), Ralph Dollimore (p), Sammy Stokes (b), Phil Seamen (d).
Where Or When*
(*Jasmine CD - Music In the Making)

Aces Anonymous or Mike Nevard's Melody Maker All Stars - May 13th, 1954 (The Cool Britons - Blue Note BLP5052 except for Rhumblues - MGME3157)
Don Rendell (ts), Johnny Dankworth (as), Albert Hall (tp), Ralph Dollimore (p), Johnny Hawksworth (b), Allan Ganley (d).
Quick Returns^/Deep Purple^/Jazz Club USA/Rhumblues.
(^Avid 2 CD set - Cleo Laine & John Dankworth: Three Early LPs & More)

Aces Annonymous or Mike Nevard's Melody Maker All Stars - May 15th, 1954 (The Cool Britons - (1)Blue Note BLP5052, - (2) MGM E3157) - (3) Atlantic LP2)
Don Rendell (ts), Harry Klein (bs), Albert Hall (tp), Ralph Dollimore (p), Johnny Hawksworth (b), Tony Kinsey (d).
Crystal(1)/I'm Putting All My Eggs In One Basket(1)/Amalgam(2)#/Nom De Plume(1)/Epigram(1)*/Two Sleepy People(2)#/I'll Remeber April(3)#*. (#omit Rendell, *omit Klein).

George Chisholm Quintet - possibly c1967 (Philips LPS16002)
George Chisholm (tb), Max Harris / Ralph Dollimore (p), Ike Isaacs (g), Franke Clarke (b), Kenny Clare / Ronnie Verrell (d).
I Wish I Didn't Love You So/Caravan/What's New/How Insensitive/There Will Never Be Another You/Laura/Shadow Of Your Smile/Stella By Starlight/It's Getting Late/Here's That Rainy Day/Say It Isn't So/Blues For Twos.
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Roy East was born in Northampton in 1930. He played alto and baritone saxes, clarinet and flute. He was 'discovered' by columnist Tony Hall while visiting London in 1952 and worked with Oscar Rabin in 1954-'55 and then toured with Vic Lewis 1955-'56. Then worked with Dizzy Reece in the New Jazz Group during 1957, and with Vic Ash during 1958-'59 and again with Vic Lewis. East recorded with Vic Lewis in 1955, '59 and 1960. Playing in a band that included Ronnie Chamberlain he had few solo spots but the 1959 session was a small group date and details are shown below. He joined Johnny Dankworth in spring, 1961 and appears on a number of recording dates from 1961-'63 although as an alto sax player his solo opportunities were limited . In later years he lived in Devon and led his own quartet throughout the south-west until his death in 1995.
He was described as an alto player of exceptional intensity his phrasing and tone often recalling Phil Woods.

Vic Lewis and his Group - June 24th, 1959 (Concept VL5)
Eddie Blair, Les Condon (tp), George Chisholm (tb), Roy East (as), Ronnie Scott (ts), Ronnie Ross (bs), Alan Branscombe (p), Bill Sutcliffe (b), Dave Pearson (d), Vic Lewis (dir).
I Never Knew A Love Like This/Salt Peanuts/Mound Bayou/Little Girl/Pennsylvania Turnpike*/Stanhope Place*.
(*Vocalion CD - Vic Lewis & His Big Band - Tea Break, Back Again & Jazz From Two Sides)

Vic Lewis and his All Stars - June, 1959 (Ember CJS807)
Dickie McPherson, Jimmy Deuchar, Leon Calvert, Gordon Turnbill (Kenny Wheeler-1) (tp), Keith Christie (tb), Roy East (as), Vic Ash (cl,ts) Art Ellefson (ts), Ronnie Ross (bs), Terry Shannon (p), Arthur Watts (b), Allan Ganley (d), Vic Lewis (dir).
The Beaulie Suite (Beaulie Blues - Lady Belinda - Motor Museum - Domus - Monty) / Selections From The Springbok And American Suite (Gold Dust (1) - Dobbs Ferry - The Jacoranda Tree - Beau Kai - The Forest).
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Johnny Scott was born in Bristol in 1930. He played flute, saxes, clarinet and vibes. He spent time with the Royal Artillery Band where he studied clarinet, harp, piano, saxes and orchestration. On his discharge from the Army in 1952 he played vibes with Norman Burns and then took up the flute. During the late 1950s he worked with Vic Ash's sextet, Kenny Baker and co-led a group with Art Ellefson as well as freelancing in many other groups. He led his own group for a while and was featured with Woody Herman's Anglo-American Herd in 1959. He then began to compose and arrange for Ted Heath and became involved in studio, film and TV work which continued into the 1990s.
He did record groups under his own name. In 1962 "A study for jazz quintet", a suite in three movements with flute, cello and guitar.
In 1965 he led a big band to record a dozen London "themes" in what appears to be essentially light music. This was followed in 1967 by a quintet (details below). He recorded on many studio sessions a few of which are listed below

Ken Moule's Music - January 28th/February 4th, 1958 (Decca LK4261)
Leon Calvert (tp), George Chisholm (tb), Dickie Hawdon (ten-h), Johnny Scott, Roy Willox(or Derek Grossmith) (f), Dougie Robinson (as), Bob Efford (ts), Ronnie Ross (bs), Bob Edwards (tu), Ken Moule (p), Arthur Watts (b), Allan Ganley (d).
Messin' About In Boats*/Mr.Toad*/Mouse Carol*/Wind In The Willows*.
(*Vocalion CD - Jazz At Toad Hall/Ken Moule Arranges For)

Ken Moule's Music - February 11th/13th, 1958 (Decca LK4261)
Leon Calvert (tp), George Chisholm (tb), Dougie Robinson (as), Bob Efford, Art Ellefson(or Johnny Scott) (ts), Ronnie Ross (bs), Ken Moule (p), Arthur Watts (b), Allan Ganley (d).
The Boy Friend*/Fishin' The Blues*/Will O'-The Wisp*/Poor Arthur*/Blue Grass*.
(*Vocalion CD - Jazz At Toad Hall/Ken Moule Arranges For)

Kenny Baker Group - May 19th and 21st, 1958 (Nixa NJT517)
Kenny Baker (tp), Johnny Scott (fl), Harry Smith (p), Jack Fallon (b), Lennie Hastings (d).
Exactly Like You.
Kenny Baker (tp), Ray Premru (b-tp), Johnny Scott (fl), Danny Moss (ts), Harry Smith (p), Jack Fallon (b), Lennie Hastings (d).
When My Sugar Walks Down The Stret/Diga Diga Doo/I Can't Believe That You're In Love With Me.
Kenny Baker (tp), Johnny Scott (fl), Bruce Turner (as), Harry Smith (p), Jack Fallon (b), Lennie Hastings (d).
Baby.
Kenny Baker (tp), Johnny Scott (fl), Harry Smith (p), Jack Fallon (b), Lennie Hastings (d).
I Must Have That Man*/You're A Sweetheart/How Blue The Night.
(*Castle 3CD box set - Too Hot - The Best of British Mainstream Jazz)

Johnny Scott Quintet - 1967 (Columbia 33SX6149)
Johnny Scott (as,fl), Duncan Lamont (ts), Arthur Watts (b), Barry Morgan (d), David Snell (harp).
Communication/Mode Moderne/Measure For Measure/Eleanor It's For You/Manha De Carnaval/Donna Lee/Something's Coming/Morning Theories/I Didn't Know What Time It Was/M.V.4/Girls Were Made To Love And Kiss/Caravan.

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Bob Burns was born in Toronto, Canada in 1923 and died in 2000. He played alto and tenor saxes. He came to the UK during World War II with the Canadian Central Air Force Band and gigged with various bands including that of Denis Rose in 1945. He had a brief spell with Ted Heath during 1948-'49 and Jack Parnell in the early 1950s and worked with Parnell's ATV Orchestra for many years. In the 1970s he continued to play regularly in jazz clubs, sometimes with his own small groups and also co-led a quintet with Kathy Stobart. In the late 1980s he returned to Canada.
He recorded in the late 1940s with the Ralph Sharon Bobtet and the Ted Heath Orchestra and in the mid 1950s with groups led by George Chisholm, Kenny Baker, Jack Parnell and Tony Crombie.
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Roy Castle
(E-mail from Mark Tovey - June 2009)

You may not consider Roy Castle falls within the remit of British Jazz but I thought I'd drop you a line about some records he made during the 1960s as a jazz-inspired singer which feature many fine British jazzers. His first LP, Castlewise (Philips 1961) was arranged by Wally Stott, with a band including: Harry Klein, Wally Smith, Don Lusher, Bobby Pratt, Alan Metcalfe, Bernie Fenton, Frank Clarke, Ronnie Verrell & others (Roy name checks each musician on the track "How High The Moon").

His 2nd LP, Gary Moore Presents Roy Castle (Reprise 1964) was recorded partly in the U.S. and partly in the U.K. The U.K sessions were done at CTS studios with arrangements by Kenny Napper (personnel unknown).

His 3rd and last LP as a jazz-inspired singer was Songs For A Rainy Day (Columbia 1966), a combination of big band tracks, small jazz combo tracks, and string section ones, produced by Ken Barnes, arranged by Victor Graham. Although it's obviously a vocal LP, there are plenty of brief solos. Some of the musicians are: Don Lusher, Jackie Armstrong, Al Newman, Ray Swinfield, Leon Calvert, Gordon Beck, Ike Isaacs, Jeff Clyne and a young drummer by the name of Joe "O.G." Oliver, who I've never seen mentioned since. Very strange, as his drumming is excellent. This is the only record to have seen a CD issue (now, bafflingly re-titled "Isn't This A Lovely Day" (!!). This is available on EMI Gold label.

There is a 7" single that Roy recorded with Tubby Hayes'. In 1964 they both appeared together in the movie "Dr Terror's House of horrors" in which Roy played the part of a trumpeter put under a curse for having stolen music from a voodoo ceremony. In 1965 CBS issued the faux horror hokum, "Dr Terror's House Of Horrors" on 7", although the song had no real connection to the movie, other than the title. This was arranged by Kenny Napper and features Tubby on flute. The b-side, "Voodoo Girl" is much better. Written by Tubby, this had originally appeared in the movie as an instrumental (with Roy miming to the trumpet work of Shake Keane). For the single Kenny Napper re-arranged the tune and Roy wrote some suitably tongue in cheek lyrics, making for a groovy piece of exotica. Tubby plays some excellent flute on it, as well as marimba. The other musicians are unknown - Simon Spillet says it's not Tubby's regular quintet players of the time. Original copies are very scarce and fetch £150 or more. However, it was re-pressed in the 1980s, and this edition is fairly easy to track down.
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